Name and surname | prof. PhDr. Marián Zervan, PhD. |
Document type: | Research/art/teacher profile of a person |
The name of the university | Academy of Fine Arts and Design Bratislava |
The seat of the university | Hviezdoslavovo námestie 18, 814 37 Bratislava |
III.a - Occupation-position | III.b - Institution | III.c - Duration |
---|---|---|
teacher, assistent professor | Comenius University, Bratislava | 1977-1980 |
teacher, senior assistent professor | Academy of Fine Arts, Bratislava | 1989-1990 |
teacher, senior assistent professor, later associate professor, head of department | Slovak University of Technology, School of Architecture | 1990-2003 |
teacher, associate professor, later professor, head of department | Academy of Fine Arts and Design, Bratislava | 2003 - ongoing |
teacher, associate professor, later professor, head of department, vice-dean for science and research | Trnava University, School of Philosophy | 2006 - ongoing |
V.1.a - Name of the profile course | V.1.b - Study programme | V.1.c - Degree | V.1.d - Field of study |
---|---|---|---|
Analysis of Image (Architecture) I.- II. | Architectural Design | Bachelor's degree | Art |
Problems of Art Media (Architecture) I.-IV. | Architectural Design | Bachelor's degree | Art |
Interpretational Frameworks of Contemporary Art (Architecture) I.- III. | Architectural Design, History and Practice of Contemporary Art | Master's degree | Art,Theory and History of Art and Culture |
Criticism and theory of modern and contemporary art I, II | Theory and History of Art and Culture | Master's degree | Theory and History of Art and Culture |
Doctoral consultations | History and theory of visual arts and architecture | Doctoral's degree | Theory and History of Art and Culture |
V.2.a - Name of the study programme | V.2.b - Degree | V.2.c - Field of study |
---|---|---|
History and Practice of Contemporary Art | Master's degree | Theory and History of Art and Culture |
History and theory of visual arts and architecture | Doctoral's degree | Theory and History of Art and Culture |
V.3.a - Name of the field of habilitation procedure and inaugural procedure | V.3.b - Study field to which it is assigned |
---|---|
Conservation and Restoration | Art |
V.5.a - Name of the course | V.5.b - Study programme | V.5.c - Degree | V.5.d - Field of study |
---|---|---|---|
Methodology of writing a dissertation's work | History and theory of visual arts and architecture | Doctoral's degree | Art,Theory and History of Art and Culture |
Art-based Research - Theory I.-III. | Fine arts, History and theory of visual arts and architecture | Doctoral's degree | Art,Theory and History of Art and Culture |
Art-based research - Practice I.-III. | Fine arts, History and theory of visual arts and architecture | Doctoral's degree | Art,Theory and History of Art and Culture |
Autonomous versus heteronomous in art I., II. | Fine arts, History and theory of visual arts and architecture | Doctoral's degree | Art,Theory and History of Art and Culture |
Schools and directions of aesthetic thinking I, II | All study programs II. and III. degree | II. and III. degree | Art,Theory and History of Art and Culture |
Zervan,M., Rusina, I.: Príbehy Nového Zákona. Ikonografia. SNG, Bratislava 2000, 259 s.
Zervan, M.: Rückkehr zur Architektur. Gegenwartsarchitektur der Slowakei von 1989 bis 2003. In: Impulse und reflexion. Architektur der Slowakei. Verlag Anton Pustet, Wien 2003, s.159 – 200
Zervan, M., Rusina, I.: Príbehy Starého zákona. Ikonografia. SNG, VŠVU, Bratislava, 2006, s. 483
Zervan, M.Rusina, I.: Postavy a príbehy svätcov strednej Europy. Ikonografia. VŠVU, Bratislava 2016, s.500
Zervan, M: Analýza a interpretácia architektúry v diele Petra Eisenmana. In: Filozofia 68, 7, 2013, s.571-582
Mitášová M., Zervan, M. et al.: Vladimir Dedeček. Interpretation of his Architecture. Birkhauser, Basel 2018, s.840
Zervan, M.: Pojmy priestor a architektúre v diele Henriho Focillona: Život foriem. In: Filosofický časopis, 63, 2018, č.3. s.37-51
Zervan, M., Mitášová, M.: The interpretation of architecture as a methodological problem. In: Architektúra a urbanizmus, 54, 2020, 3-4, s.209-223
ZERVAN, Marian. Seriálne myslenie Petra Eisenmana: k zmyslu seriality v jeho dielach a textoch.In: RUSINOVÁ, Zora - KRALOVIČ, Ján. Serialita a repetícia ako tvorivé princípy integrovaného umeleckého diela : [zborník príspevkov z medzinárodného interdisciplinárneho sympózia]. Bratislava: Vysoká škola výtvarných umení v Bratislave, 2017. s. 100-116. ISBN 978-80-8189-015-4.
ZERVAN, Marian. Obrazy medzi ilúziou, fantáziou a fikciou: Husserl a Waldenfels. In: Ilúzia a virtuálna realita v umení. Bratislava: Slovart, 2021, s. 166-179. ISBN 978-80-556-5394-5.
Zervan,M., Rusina,I.: Životy svätých. Ikonografia. Pallas, Bratislava 1994. s.2 Cited in:
1/4 Mrázová, M.: Ku knihe Ivana Rusinu a Mariána Zervana Životy svätých. In: Pamiatky a múzeá, 1995, č.3, s.68-69.
2/4 Tarcalová, Ludmila: Světci v lidové tradici. Uherské Hradiště: Slovácké muzeum, 1995, s.225
3/4 Babirát, Marián: Boleráz, 1240-1995. Boleráz: Obecný úrad, 1996, s.92
4/4 Belás, L.: Ikonografia svätého Svorada a Benedikta. In: Skalka pri Trenčíne: miesto legiend a pútí. Zborník z vlastivedného seminára 23. mája 1996. Bratislava /zost. R. Marsina/ Trenčín: Trenčianske múzeum a Bratislava: Slovenská historická spoločnosť, 1997, s.71 a s.82
5/4. Gerát, I.: Stredoveké obrazové témy na Slovensku. Bratislava 2001, s.172,177,178,179,180
6/4 Bartl, Július : Ján Kapistrán a Uhorsko. Zborník Filozofickej Fakulty Univerzity Komenského: Historica, 45, 2002, s. 25 ISBN 80-223-1740-3. - S. 23-25
7/4 Vítězslav Štajnochr: Svaté šály loretanské, svatý prach a svatá voda z Loreta. In: Zprávy památkové péče 65, 1, 2005, s.34.
8/4 Marta Mácelová: Atribúty svätca na gotických kachliciach stredoslovenskej banskej oblasti. In: svätec a jeho funkcie v spoločnosti. I. ed. Rastislav Kožiak – Jaroslav Nemeš. Bratislava: Chronos, 2006. s.376, 377, 378
9/4 Gáťa, O.: Sakrálne objekty a pamiatky v PlevnikuDrieňovom, MS v Plevniku-Drieňovom 2008, s.28
10/4 Talianska maľba. (ed. Ludiková.Z.) Bratislava 2013, s.102, s.110, s.154, s.219
Zervan, M., Rusina, I.: Príbehy Nového Zákona. Ikonografia. SNG, Bratislava 2000, 259
1/4 Šugár, M.: Neznámy milosrdný samaritán zo zbierok SNG. In: Galéria 2000,s.1
2/6 Gerát, I.: Príbehy Nového zákona-ikonografia. In: Literárny týždenník, roč. XIV, 2001,s.2 recenzia knihy
3/4 Matáková, B.: Oplakávanie Krista z Bánoviec nad Bebravou. In: Pamiatky a múzeá 2007, č.4, s.33
4/4 Herucová, M.: Sepulkrálne námety a motívy 19. storočia. In: Cintoríny v kontexte kultúrneho dedičstva. Banská Štiavnica 2009, s.138
5/4 Vácha, Zd.: Opatská kaple (kaple sv. Šebestiána) premonstrátského klášterního kostela Panny Marie a sv. Václava ve Znojmě-Louce : (poznámky ke stavebnímu a výtvarnému vývoji). In: Archeologia historica 2012, roč. 37, č. 2, s. 552
6/4Kližanová, H.: Podoby rodinného portrétu v slovenských zbierkach. In: Forum Historiae 2012, č.1, s.114 7/4 Talianska maľba. (ed. Ludiková.Z.) Bratislava 2013, s.42. s.56, s.180
Zervan, M., Rusina, I.: Príbehy Starého zákona. Ikonografia. SNG, VŠVU, Bratislava, 2006, s. 483
1/6 Gerát, I.: Tri Ikonografické stretnutia s bibliou. In: ARS 39, 2006, 2, s.264-266
2/6 Bugárová, A: Starý, ale súčasný Zákon. In: Knihy a spoločnosť 12/2006, s. 12
3/6 Talianska maľba. (ed. Ludiková.Z.) Bratislava 2013, s.206
Zervan, M.: Konce teórie: antiteória, postteória, a protiteória v architektonickom myslení. In: ERA 21, 2008, č.2, s.66–69
1. Mitášová, M.: Oxymorón a pleonazmus I.. Praha 2011, s.8
2. Koban, J.: Postpersonalistická doba. I. in: Architektúra a urbanizmus 2010, č.1. a 2., s.22
Mitášová, M. (ed. and auth), Zervan, M (auth.): Vladimír Dedeček. Interpretation of his Architecture. Birkhauser, Basel 2018
1 Michalovič, P.: Phenomenon Vladimir Dedeček. Monika Mitašová: Vladimír Dedeček. Interpretácie architektonického diela. In: Architektúra a urbanizmus.51, 2017, 3-4, s.354
2 Marcelli, M.:Monika Mitášová (ed.), Vladimír Dedeček. Interpretácie architektonického diel. In Umění 2018. 3, s.226-228
3. Stec, P.: Creative Transformation. The Campus Paradigm. In: Architektúra a urbanizmus.54, 2020, 1-2, s.130
4. Szalay, P.: Opus Vladimír Dedeček, ERA21, 2017, č. 5, s. 11
5. Ševčík, Oldřich: Velká monografie – pocta dílu a životu velkého slovenského architekta Vladimíra Dedečka, ALFA. Bulletin FA ČVUT, 2017, č. 7, s. 2
VEGA Interpretácie architektúry 2014-2017, vice-principal investigator
APVV Téma Troch kráľov v umení Slovenska - interdisciplinárne štúdie kultúrnej tradície a komunikácie, 2016-2020, investigator
APVV Tvorba a kritika hodnôt v súčasnom umení (výtvarné umenie, divadlo, film). 2020-2024, investigator
VEGA Ikonológia charity. 2018-2022. vice-pricipal investigator
VII.a - Activity, position | VII.b - Name of the institution, board | VII.c - Duration |
---|---|---|
head, Field of Study Board for History and Theory of Art and Architecture | Cademy of Fine Arts and Design (AFAD) | 2018- ongoing |
garant, Study Programme History and Practice of Contemporary Art (Master) and History and Theory of Fine Arts and Architecture (PhD) | AFAD | 2018-ongoing |
member, working group for the implementation of REF asessment criteria | Ministry of Ediuation | 2016 |
member, working group for the formulation of scientific and artistic assesment criteria of Universities and Academy of Sciences | Ministry of Culture, Ministry of Education | July 2021 - ongoing |
head, Scientific Board, Center of Art Research, Slovak Academy of Sciences | Slovak Academy of Sciences | 2018 - ongoing |
VIII.a - Name of the institution | VIII.b - Address of the institution | VIII.c - Duration (indicate the duration of stay) | VIII.d - Mobility scheme, employment contract, other (describe) |
---|---|---|---|
Academia Belle Arti | Perugia, Italy | Jun - July 1989 | exchange study stay |
Center for Theoretical Studies, Prague | Prague, Czech Republic | 2005 | invited lecture and discussion (transdisciplinary seminar) |
Institute of Art History | Czech Academy of Sciences, Prague | 2019 | invited lecture and discussion (art history seminar) |
Society for Aesthetics | Prague | 2020 | invited lecture and discussion |
School of Philosophy | Palacky University, Olomouc, Czech Republic | invited lecture and three day study stay | May 2015 |
Co-author and Co-curator of Czech and Slovak exposition Wallpaper dispositive. 7th International Biennale of Architecture in Venice: Less Aesthetics more Ethics (2000).
Co-author, co-curator and catalogue editor of Czech and Slovak exposition Care for Architecture. 15th International Biennale of Architecture in Venice: Reporting from the Front (2016)
Co-curator of the concept of art-based research exhibitions and conferences Algorithms of Images and Images of Algorithms (2018), External and Computing Memory (2019), Illusion and Virtual reality (2020). In collaboration with NOVUM Art Foundation, AFAD and Center for Art Research, Slovak Academy of Sciences, Bratislava
Member of NOVUM Art Foundation Board, Bratislava